Author: Jim
Me n’ Pat.
I got there right when the shin dig started, cause I didn’t want to be out late…cause that’s the way I roll: early to bed and late to rise.
The cool thing about being the first person there was getting to spend a few minutes talking to Mr. Sansone. I’m gonna refer to him as Mr. Sansone — as opposed to “Pat” — cause I’m not gonna try and come off like I know the dude now, or after spending 15 minutes with him that I somehow left some sort of indelible impression on him and now we’re all BBF’s n’ shit.
Nope.
I did, however, buy a couple books off him.
I didn’t let him know what a geek-boy fab I am for Wilco, the gig he does for a paycheck…or that I like The Autumn Defense, the gig he does cause he loves playing music…or that I really, really like the pictures he makes with his SX-70.
Well, I did praise his work — but not in a worshippy, sloppy, silly way.
The evening was exciting enough to blog about, cause really, I haven’t had shit to say since I made my contribution to Bagazine #4, which was last spring.
All work and no play makes Jim an Average Boy.
If you want to grab a copy, I’d do it right away, cause there’s some of the limited edition (150) still online over at The Wilco Store.
You can check out some of Pat Sansone’s work from the show at a Flickr gallery curated by a dude named Michael Raso.
I have no idea who Michael Raso is; perhaps I should check him out.
Finally, here’s Mr. Sansone’s Flickr page.
Oh, and did I mention all work and no play makes Jim an Average Boy?
Wilco @ La Blogotheque
Marketing to Men.
People are as creepy and perverted and weird as they’ve ever been — it’s human nature. The only difference between now and, say, 1956, is the dissemination of information. Which is to say our times are no more depraved or sick or twisted than any other time in history — it’s just that CNN wasn’t around to broadcast it 24/7; in fact, I think we have it all pretty good, for the most part. Sure the economy sucks, and there’s no cure for HIV or cancer, and the Earth is getting warmer and over-populated, but I’ll certainly take living in The Present over The Past.
Marketing to Men is my contribution to Bagazine #4, and it conveys my thoughts about just that — our creepy, pervy past.
There’s eight ads from the back of various mens’ magazines (all mid-century), and they’re hawking everything from fake cop badges to cheap firearms to porn to vanity products. My favs are the how-tos: how to make one-way mirrors and listening devices that take “ordinary materials” and turn them into a “Super Directional Mike [sic] that amplifies sound 1000 times. YES, YOU CAN ACTUALLY HEAR CONVERSATIONS THRU WALLS A BLOCK AWAY.”
There’s a guide to street fighting, and if you’re a “Man & Wife team with a camera”, you could “earn the kind of money you have always dreamed of.”
The first forays into amateur porn?
Who knows — but if you sent a buck to “Artek” in Hollywood, CA, I think you might have been surprised at whatever advice they offered.
Or not.
100 copies signed and numbered, gocco print and a good, old-fashioned hand stamp for title and colophon (am I contradicting myself?); 3 proofs marked “A/P”; concertina fold.
In Memorium: Alex Chilton
Jack Kerouac & The Brakeman’s Lamp
The Holidays, Allan Milkerit’s Books, and The Abandoned Planet.
Allan Milkerit and I would walk around that very neighborhood during lunch break from Tall Stories. Tall Stories was the book co-op we both worked; a woman named Donna rented shelf space to anyone who wanted to sell their stock. It was a great atmosphere, and I learned a lot from Allen..but I’ve written about that already. My friend Joe, who joined Tall Stories right before its demise (and then started Valhalla Books with Allan) just sent me this David Streitfeld’s blog about Allan’s books. It’s a blog selling Allan’s books (well, not all of them) as well as describing Allan — both as a person and a bookseller. Which is probably a redundant way to describe it all. It’s a great read, so I’ll just leave it at that.
I’m home for the holidays, and I didn’t stray too far. I shoulda spent some time with my pal Mike from Big Dog Press, or Dale Dauten, or a few of my high school buddies; instead I stayed at my folks and spent time with them…and my little brother and his family, and my sister with hers. Although I did go to see my old friend Michele; she’s a long-time friend and a fellow reader and an ex-jock and now she legislates. We spent an hour or so wandering around Changing Hands, pointing out books to one another, and talking about what we have read, should have read, will someday read, or will never read. We both came to the same conclusion: if it doesn’t hold our attention out of the blocks, it gets shelved.
In Memorium: Steve Richmond
I met Steve once, and wrote to him a couple times. He lived in a small house right on the beach at Holister Street in Santa Monica. I was in Los Angeles to hear Ginsberg read at McCabes; it was the 30th of March, 1991, and I know that because I showed up at Richmond’s house — unannounced — right before I went to the reading. Later that night, Ginsberg was nice enough to inscribe a copy of Photographs to me and date it.
Steve’s house was the closest to the beach. He’d been living there since the mid-60’s (that I know of) right after dropping out of law school to become a poet.
Imagine telling your folks you’re dropping out of law school to be a poet.
And showing up at a poet’s door to say hello and ask for some books to be signed is something I’d never do today, but I was a young, overzealous book nut, and I liked Steve’s work enough to do such a silly thing. He barely opened the door…and it was just enough to lean into it and tell me to leave.
I can’t blame him, really.
I don’t blame him.
The picture above, from left to right: Ben Pleasants, Charles Bukowski, and Steve Richmond.
The Holy Glow that is Bob Dylan
And I’m not even gonna make any sort of claims that things are gonna get any better, either.
I caught Dylan at the Palladium on the first night of this three-night run. He was good. Not great. Not terrible. The highlight of my evening was my date (a beautiful red-head girl I’m crushing on as of late) and “Don’t Think Twice, It’s All Right”.
The Red Head seems interested.
“Don’t Think Twice, It’s All Right” was done so perfectly (and early in the show) it set a standard I compared the rest of his show to, and maybe that’s why I was let down after it was all said and done.
He did “Like a Rolling Stone” and “All Along The Watchtower” and a bunch of new stuff I didn’t recognize, and it wasn’t like I expected a Greatest Hits Show; I kinda knew what to expect, and it’s pretty much what I got.
But it’s Dylan …right? How can you not go to a Dylan show these days, especially if it’s right down the street from where you live?
What I didn’t expect were the $14 beers, which, I suppose, is indicative to my night-time habits in Los Angeles. If I went out more I’d know it costs a small fortune to get drunk in Hollywood.