Description
For Duchamp collectors, Étant Donnés occupies almost mythical territory — the secret final work assembled in total privacy over two decades while much of the art world believed he had effectively abandoned art for chess. Installed permanently at the Philadelphia Museum of Art after his death, the piece shattered assumptions about Duchamp’s supposed retreat from artistic production and instantly became one of the most analyzed and debated works in twentieth-century art. This compact bulletin remains one of the foundational texts surrounding the unveiling and interpretation of the work.
The pairing of Anne d’Harnoncourt and Walter Hopps alone makes this booklet important within postwar art scholarship. Both writers helped shape institutional understanding of Duchamp during the period when his influence was exploding across conceptual art, minimalism, and postmodern practice. The haunting portrait cover image of Duchamp smoking his pipe only deepens the atmosphere surrounding the project — part artist statement, part institutional document, part artifact from the slow construction of the Duchamp mythology itself. An excellent, highly collectible little piece for admirers of Duchamp, conceptual art, Fluxus-adjacent material, and museum ephemera.
A sharp addition to any serious Marcel Duchamp shelf without the cost of the larger exhibition catalogues.











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