Richard Fariña Been Down So Long It Looks Like Up to Me Random House

$95.00

Offering: Richard Fariña. Been Down So Long It Looks Like Up to Me. New York: Random House, 1966. Second printing stated.

Good+ in like, unclipped dust jacket. Sharp copy overall with light rubbing and edgewear to the jacket, a small crease and short tear at the upper rear panel, and some mild age toning. Attractive blue-and-green cloth boards remain clean and bright. Textblock edges retain their dark topstain. Previous owner name stamp (“Tracey Hook”) to front pastedown and title page, along with a faint ghost mark from an old bookseller ticket or removed label to the front pastedown. Binding tight and solid throughout.

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SKU: richard.farnina-been.down.so.long Categories: ,

Description

Richard Fariña occupies a strange and fascinating place in American literary history — part Beat survivor, part folk musician, part political wanderer, and part doomed 1960s myth. Married to Mimi Baez, close to Bob Dylan, deeply connected to the Greenwich Village folk scene, and dead in a motorcycle crash just two days after the publication of this novel, Fariña left behind one of the great cult novels of the American counterculture. Been Down So Long It Looks Like Up to Me blends campus satire, absurdist humor, psychedelic energy, paranoia, sexuality, political unrest, and folk-era cool into something that still feels alive nearly sixty years later.

What separates Fariña from many writers associated with the era is the sheer intelligence and velocity of the prose. The novel moves with the rhythm of someone who genuinely lived several lives before thirty. There are echoes of Pynchon, Vonnegut, Kerouac, Burroughs, and even early Ken Kesey here, but the voice remains entirely his own — cynical, funny, restless, hyper-literate, and emotionally unpredictable. The famous Richard Kluger blurb on the rear panel gets it exactly right when it calls the book “a madly careening odyssey.” Even the jacket design feels perfectly locked into the mid-1960s moment: modernist typography, surreal line art, and the unforgettable photograph of Fariña himself staring back at the reader from the rear panel like someone who already understood his own mythology.

One of the essential American counterculture novels of the 1960s and still among the most collectible literary debuts of the era.

Additional information

Weight 1 lbs
Dimensions 9 × 12 × 2 in

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