Description
This early 1969 issue lands right at the heart of Rolling Stone’s transition from scrappy underground paper to cultural barometer. The cover story highlights a “Last Look at Traffic” — perfectly timed for collectors of Dave Mason, Steve Winwood, or anyone charting the shifting borders of late-60s British rock. Inside you get a run of fantastic period photography: Mississippi Joe Callicott in a gorgeous half-page portrait; a young, serious Aretha Franklin; Traffic posed against industrial haze; and the paper’s signature blend of counterculture reportage, festival news, and Bay Area strangeness. It’s a snapshot of 1969 America right before things turned darker.
As with most Stones of this era, some of the biggest pleasures are the ads: Albert King’s 252 Pounds of Electric Blues Power in full psychedelic design; A&M’s surreal promo for Seatrain; Delaney & Bonnie; clubs, radio stations, long-gone labels, and the whole visual vernacular of the late 60s. These vintage ads are half the experience and one of the reasons early Stones have such enduring appeal — they’re time capsules disguised as newspapers.
A strong, full-length survivor of an increasingly scarce early issue — the kind that deepens any 60s collection and never stays in the shop long.
















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