Description
Pontus Hultén’s The Machine remains one of MoMA’s most unforgettable catalogs — not just for the ambitious exhibition that traced humankind’s romance with machinery from Futurism through Pop, but for its radical physical design: an aluminum-plate binding manufactured in Sweden, riveted at the spine, literally embodying the mechanical age it set out to historicize. Artists range from Boccioni, Duchamp, Tatlin, and Tinguely to Man Ray, Léger, Rauschenberg, and El Lissitzky, with images that feel like the blueprint of 20th-century modernism’s obsession with speed, efficiency, and engineered possibility.
The catalog reflects Hultén’s curatorial brilliance — a synthesis of art, industry, and utopian speculation that has become increasingly collectible as the original mechanical era recedes into nostalgia. This copy carries the patina these aluminum issues inevitably develop, a material reminder of the exhibition’s thesis, and remains a complete, very good example of one of MoMA’s most iconic printed objects.
A cornerstone MoMA catalog and a landmark of exhibition-book design, increasingly sought after in any intact aluminum-bound state.




















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