Description
I discovered these two images at a SoCal flea market. Printed on thick, double-weight paper stock, this pair of original 1950 silver gelatin photographs sits squarely on the blurred line between postwar fashion photography and early fetish imagery. Both are professionally lit studio shots, each capturing a woman from behind—posed to emphasize seamed stockings, high heels, and the sculptural silhouette of tailored midcentury attire. The second photo, cropped tighter to isolate the legs and heels, reads more like a visual study in form and allure than a straightforward fashion advertisement.
Close-up shot is studio-stamped on verso: PHOTO / F.J. Venegas / CHICAGO / OCT 29 1950. I couldn’t find anything about Venegas, but his work here reflects a style commonly used in both department store promotions and discreet fetish publications of the era—often referred to then as “art studies” or “glamour prints.” Whether these were created for catalog use, private commission, or a more niche clientele, they remain compelling artifacts from a time when the distinction between commercial and erotic photography was anything but clear.
A rare and evocative glimpse into the shadowy overlap of style and suggestion—where the camera captured more than just her clothes.











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