Description
This is classic late-period Burroughs: surreal language loops, consumer debris, broken machinery, strange animals, collapsing systems, and deadpan apocalypse all jammed together into a single uninterrupted monologue. The text reads like a transmission intercepted midway through a malfunction. Burroughs collectors know how effective these smaller press productions could be—especially when paired with minimalist design and strong paper stock like this.
Toothpaste Press occupies an important place in small press and avant-garde publishing history, issuing work by major counterculture and experimental writers throughout the 1970s and early 1980s. This broadside ties together several important threads at once: Burroughs’ live reading appearances, Midwest alternative press culture, and the handmade literary production movement that paralleled punk and underground art publishing during the period. Signed Burroughs material remains heavily collected, and ephemeral items produced for specific events like this Walker Art Center appearance surface far less frequently than trade editions.
A sharp Burroughs piece with strong visual appeal that belongs framed on a wall as much as shelved in a collection.










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