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Chris Offutt’s A Dog & His Boy: A Quick Memoir

A Dog & His Boy by Chris Offutt, a 1999 synaesthesia press letterpress chapbook hand-set by Jim Camp and illustrated by Kathy Sheehan.

One of the joys of putting together the bibliography I’m finishing for synaesthesia has been rediscovering books I’d almost forgotten. And the stories that go along with them.

Around 1997, while I was in graduate school, I struck up a brief correspondence with Chris Offutt after he responded to a newsletter I mailed to collectors—a simple list of fifty or so modern first editions I was trying to sell to help pay the bills. Fifty or so books mailed out to about the same number of people. Over my time in grad school, I think I got a half dozen or so mailed out. Chris was a collector!

We traded emails, a few phone calls, and eventually I worked up the courage and asked if he’d consider letting synaesthesia publish one of his stories? He generously sent two! As a small-press dude, I felt like I’d won the lottery. I chose 211 All Around, but a simple mistake in my next newsletter—accidentally giving his new book (The Good Brother) the wrong title (The Good Son)—ended whatever friendship I’d managed to build. What a terrific brain fart! I apologized, but the damage was done. Never heard a word back from Chris again. He had accepted some books in lieu of cash payment for the story, and while I debated what to do, another small press published 211…. This left me with the other manuscript, A Dog & His Boy. And, honestly, a little butt hurt.

That chapbook eventually found its way into print, though not without a few more bumps along the road. Looking back some twenty-five years later, I can see that we probably both overreacted a little? I know I did. But that’s the nature of small presses. They’re built on passion more than profit, and sometimes feelings get bruised more easily than they should. It certainly wasn’t about making money—I was lucky if I earned minimum wage after paying for materials, all the hours of hand-setting type, printing, binding, and marketing was completed—but I wouldn’t trade that time for anything. And while looking at A Dog & His Boy today makes me want to change all sorts of things about it, I stand by that book.

Every one of synaesthesia’s books has a story behind it. This one just happened to have a few more twists than most.

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Chris Offutt A Dog & His Boy | Letterpress Edition from the synaesthesia press

I can’t believe how long it’s been since Chris Offutt’s A Dog & His Boy was published.

The book was issued in a very small edition of fifty copies; in fact, it’s the smallest edition of any book published by the press. There were six author copies not mentioned in the colophon, along with five marked out-of-series. So 61 total. The edition sold quickly, and copies have always been difficult to find on the secondary market.

One of these days I’ll probably write about my brief relationship with Chris Offutt. There’s a story. He’s one interesting dude.

The actual production of the book began in the fall of 1999, and we went to press in December of that year. The text was set by hand in Baskerville Roman, while Goudy Bold and Goudy Handtooled were used for the cover and title page. Every copy was letterpress printed on Somerset Text, one of my favorite papers then and now. I remember using two different decorative endpapers, though time has blurred the details. I’m fairly certain Banana Mash was one of them and Thai Grass the other. If memory serves, one of those papers may have been reserved exclusively for the author’s copies.

The covers were printed on Rives Arches. It’s beautiful paper, but anyone who has ever printed on it knows it can be stubborn.

Kathy Sheehan, then a graduate student in printmaking at Arizona State University, provided the linoleum-cut illustrations. Kathy created four images for the book: two school buses, one approaching and one departing, which appear at the beginning and end of the story and provide a wonderful visual bookend. She also contributed two red footprints and a portrait of the Dog himself, one of the story’s central characters.

Collectors of Offutt’s work on my mailing list were able to purchase copies for the publication price of $75. Not that long after Joseph the Provider offered one for $250, and it didn’t stay available for very long.

Today, copies surface only occasionally.

And I don’t have any more.

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A Dog & His Boy | Chris Offutt | synaesthesia press

A Dog & His Boy by Chris Offutt, a 1999 synaesthesia press letterpress chapbook hand-set by Jim Camp and illustrated by Kathy Sheehan.

A Dog & His Boy

Text by Chris Offutt.

Published December 1999.

Chapbook. 7″ × 10″ (17.8 × 25.4 cm). Hand-sewn paper wraps. Type hand-set in Baskerville Roman, Goudy Bold, and Goudy Handtooled by Jim Camp using type from the Antonia and Adam Petko Collection at Arizona State University. Linoleum-cut illustrated by Kathy Sheehan. Printed and published by the synaesthesia press. Special thanks to Dan Mayer and John Risseeuw.

Edition of 61 copies. Fifty numbered copies, none of which were signed, were offered for sale. In addition, five copies, none of which were signed, were designated “out of series” and six copies were reserved as author copies.

Designed and produced entirely by hand, A Dog & His Boy reflects the start of the press’s interest in traditional letterpress printing and fine press craftsmanship. The collaboration pairs Chris Offutt’s text with illustrations by Kathy Sheehan in one of the most ambitious hand-set productions issued by the press at the onset of its second Arizona period.

Availability: Out of print.